Because I wanted to...,
The gender-swapping pronouns seem random and undefined in S1 and S2, and while I get a pretty good idea of what's going on, I think you should either elaborate or cut one of the strophes.
S3 seems paradoxical when what you intended was insightful--how is something too gentle yet too cold? You have two options to resolve the illogic: either find better words, or elaborate on what it means to be "too gentle" and "too cold," and how the two can coexist.
S4 suffers the same fate, and should be cut away entirely.
S5 gives me the impression that the addressed person (the "Stubborn Lover") isn't even a real person but rather a figment of your imagination, a painting, a collision of paper and paint.
The reason I bring all these points to light is because poetry must give the readers a sense of setting, a sense of purpose (done by giving your piece an audience, by writing with a certain audience in mind), and while your does, to some extent, establish an audience--namely, the loved one--it fails to give us a setting. Where are we to find the loved one too gentle for man and too cold for woman--in a painting that appears in the last line? Why did we need to go through the previous four strophes to determine this? What purpose do they serve? From what I gather, they don't contribute anything to the final line, which ought to be the first line in your revision.
Best,
Brad
Points: 890
Reviews: 915
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